Antlers, by Lucy Salgado
"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it." - The Grand Budapest Hotel (2014)
Carved out, three dimensional paintings by Florida based artist Boy Kong:
Nightcrawler by Darick Robertson
For an artist whose work frequently represents the themes of anonymity, alienation and loneliness inspired by city-living, it is perhaps appropriate that Slinkachu biographical details remain vague. Born in Devon, Slinkachu currently lives and works in London. In 2006, Slinkachu embarked on the first of his street art installation campaigns: The Little People Project. His miniature figures are left to fend for themselves in the bustling city, where they are then photographed and left to the abandon of their urban environment. These figures embody the estrangement spurred by the over-whelming nature of the modern metropolis, and incite a renewed perspective of the everyday urban experience to those who find them. This sense of isolation and melancholy, however, is accompanied by sense of irony and humour that makes Slinkachu’s commentary all the more poignant. Slinkachu has received international attention for his Little People Project and has participated in many group exhibitions both locally and internationally. (src. Andipa Gallery)
Cory Godbey, on Tumblr
Paintings by Shuichi Nakano which imagine a world where wildlife has one again assumed dominance over our industrialized society, grazing on and living among our cityscapes:
I’m real jealous of people who post screenshots of their autocorrect mistakes because it’s obvious they aren’t burdened by the need to nitpick at the composition of every message they send for at least 5 minutes.